I'll Take You There : A Novel by Joyce Carol Oates

I'll Take You There : A Novel by Joyce Carol Oates

Author:Joyce Carol Oates [Oates, Joyce Carol]
Language: eng
Format: epub
ISBN: 0060501189
Published: 2002-01-02T00:00:00+00:00


The claim that philosophy is a battle against "the bewitchment of intelligence by language" & this very claim postulated in the syntax & content & contours of Language—

which I would identify at a later time as an argumentative allusion to the early work of Ludwig Wittgenstein.

Perhaps Vernor Matheius was speaking to me through the pulsebeat in my ears, perhaps he was not; perhaps he was indicating he would help me remove my jacket, perhaps he was not; perhaps he was fumbling with his sheepskin jacket, bulky on his tall, lanky frame like protective armature; perhaps he was not. He will touch me now. Now it will happen. Nervously he was tugging down a window shade, and the frayed material began to tear; he muttered a jokey profanity—"Shit!" And this word, this blunt mechanical brainless expletive in another man's voice: not Vernor Matheius's eloquent voice. As if another, more commonplace and thus more practicable man not Vernor Matheius stood in his place, cursing a frayed window shade. Yet I didn't hear, exactly; I heard but didn't acknowledge; my heart was beating rapidly as I stood rereading the enigmatic paragraph typed on the sheet of stark white paper as if it were a secret, coded message meant solely for me which even its author could not have fully comprehended. It was then that I realized I had been hearing Vernor Matheius's breathing. His breathing like panting. Like a dog's panting. And I smelled the alarm, the fear lifting from his body like heat. "Why'd you come here with me?"—a voice that was raw, harsh; very male; like sandpaper scraping across a splintery wooden surface; a frightened voice; a disdainful voice; not the musical, seductive voice of the lecture hall; not the voice of logic, reason, conviction, irony; not the voice of Vernor Matheius as I'd heard it in my dreams; but a stranger's voice, any-man's voice. I stared at him now, struck dumb; he was frowning, such a frown shifting the glasses on the bridge of his nose, and the lenses of his glasses were opaque with reflected light (as soon as we'd stepped inside the room Vernor had switched on an overhead light and shadows were cast downward on our faces, like appalled skulls we regarded each other out of astonished shadowed eye-sockets); he was saying: "Look, Anellia, you don't want to do this, and I don't, either." We were still in our outer clothes; I had not begun to unbutton the green suede jacket, and Vernor's bulky sheepskin jacket looked more resolutely on his body than it had been outdoors. Yet he touched me, his forefingers gently prodding me toward the door, swiftly he unlocked the door, opened it, murmuring, "—sometime, some other time, Anellia, good-bye—" his voice choked and abruptly then I stood outside the room, in a drafty hall opening onto the stairs, I was blind, blundering down the swaying wooden stairs which only a few minutes before another girl had boldly, tremblingly ascended. Not knowing where I



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